In Watermelon Sugar and Tunnel Music :: Watermelon Sugar

In Watermelon earnings and Tunnel MusicThe cle atomic number 18st vision of reality is often the around abstract. While the rise of science and progress suffocate the opinion of an extrasensory experience within the reading of literature, the phenomena persist. Meanings argon communicated, participating in a royal cosmic-cultural aura, penetrating a communication of meaning, intent, and scandalously--truth. There is a solve of intertextuality occurring, a conversation between authors, texts themselves, and the readers who venture to interpret them. Richard Brautigans imaginary novel, In Watermelon clams converses well with a poem written many geezerhood after his death, Tunnel Music by Mark Doty. This conversation appears to be about the transgress of our techno-egocentric society. Because of the cryptic nature of In Watermelon Sugar, it aids summary to offer some form of comparison to its labyrinthine meanings. Through the lens of Mark Dotys poem, a particular feature of th e novel is offered a clarity and relevance of vision the Forgotten Works are indicative of the coming world. (Doty 27) Allow me first to chalk out the basic feeling of the novel and how the Works figure into their lives. To restate William James, generally there is a smell of watermelons.At once the novella details a simple community of nature-minded folk, centered on a blend called iDEATH, a place always changing (Brautigan 16) with trees, and a river flowing out of the living room. At iDEATH, the sun shines a different color every day, do the watermelon crops reflect that color. The people of iDEATH make a great many things out of watermelon sugar. (Brautigan 1-2) Sculpting their lives from this sugar, and mixing it with trout, they have lantern oil. Brautigan once said everything in the States is about trout fishing if youve got the correct attitude. (McDonnell) Rivers run everywhere here, they take the qualities of whatever the reader would ilk them too, if you look hard enough--everything can be a river. rough of the rivers are only a few inches wide. . . I know a river that is half-an-inch wide. . . We call everything a river here. Were that kind of people. (Brautigan 2) Beyond iDEATH and the trout hatchery are the Forgotten Works. They go on and on and on and on and on and on and on and on and on and on. (Brautigan 69) They are hammered out as Mark Doty puts it. The Works are much bigger than we are.In Watermelon Sugar and Tunnel Music Watermelon SugarIn Watermelon Sugar and Tunnel MusicThe clearest vision of reality is often the most abstract. While the rise of science and progress suffocate the notion of an extrasensory experience within the reading of literature, the phenomena persist. Meanings are communicated, participating in a magnificent cosmic-cultural aura, penetrating a communication of meaning, intent, and scandalously--truth. There is a process of intertextuality occurring, a conversation between authors, texts themselves, and th e readers who venture to interpret them. Richard Brautigans imaginary novel, In Watermelon Sugar converses well with a poem written many years after his death, Tunnel Music by Mark Doty. This conversation appears to be about the collapse of our techno-egocentric society. Because of the cryptic nature of In Watermelon Sugar, it aids analysis to offer some form of comparison to its labyrinthine meanings. Through the lens of Mark Dotys poem, a particular feature of the novel is offered a clarity and relevance of vision the Forgotten Works are indicative of the coming world. (Doty 27) Allow me first to outline the basic feeling of the novel and how the Works figure into their lives. To paraphrase William James, generally there is a smell of watermelons.At once the novella details a simple community of nature-minded folk, centered on a compound called iDEATH, a place always changing (Brautigan 16) with trees, and a river flowing out of the living room. At iDEATH, the sun shines a differe nt color every day, making the watermelon crops reflect that color. The people of iDEATH make a great many things out of watermelon sugar. (Brautigan 1-2) Sculpting their lives from this sugar, and mixing it with trout, they have lantern oil. Brautigan once said everything in America is about trout fishing if youve got the correct attitude. (McDonnell) Rivers run everywhere here, they take the qualities of whatever the reader would like them too, if you look hard enough--everything can be a river. Some of the rivers are only a few inches wide. . . I know a river that is half-an-inch wide. . . We call everything a river here. Were that kind of people. (Brautigan 2) Beyond iDEATH and the trout hatchery are the Forgotten Works. They go on and on and on and on and on and on and on and on and on and on. (Brautigan 69) They are hammered out as Mark Doty puts it. The Works are much bigger than we are.